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This chapter starts out explaining the importance of grids when drawing in perspective. Check out his work at Chapter 03: Perspective Drawing Techniques It shows that despite all the fancy perspective rules, sometimes one-point perspective is enough to get the message across. I was super impressed by how Gardner created such an interesting and detailed image, with a whole lotta dividing and ellipses. It demonstrates one-point perspective with non-converging lines. It’s a drawing by Danny Gardner of some kind of ship interior (I’m guessing a submarine). There’s a particular drawing in this chapter which I really liked. This was pretty cool to learn – in the past, I have often wondered why perspective fails me when I get to the corners of my drawing. There is a handy section in this chapter where we are recommended which cone of vision to use for each type of linear perspective. And just like with a camera, we need to be careful not to distort our lines. The different cones of vision are likened to different lenses on a camera.
#How to draw by scott robertson straight lines how to
This includes how to define your POV (Point of View), COV (Cone of Vision), and how to find your vanishing points on the picture plane. In this section we are encouraged to refresh / familiarize ourselves with perspective terminology. This chapter also quickly gets you up to speed with one, two and three-point perspective, drawing boxes, curves and ellipses. This includes the importance of drawing with the whole arm, drawing only one line and ghosting (which is the drawing equivalent of taking practice swings before you hit the golf ball). Nice! The Basics and How to PracticeĪfter they discuss materials, they then take us through the very basics of drawing. Instead, they recommend you just draw lightly, and then clean up your drawing later with an overlay. If you erase anything, you’re going to lose your lines. There’s a section called No Erasing!, where it says that you’re going to have a LOT of construction lines on your page. These guys are pretty chilled about what materials to use, but I love it how they draw the line at using an eraser. This book is predominantly aimed at traditional drawing using pens, pencils, paper, rulers and stencils.
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This chapter starts off by listing out some tools which you may need when learning basic and advanced perspective.
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Robertson and Bertling state that you don’t need to blow the budget when choosing materials – all you need is a few basic tools. So, before you try to replicate what’s taught in a certain chapter, make sure you’ve learned everything from the previous chapter – cos you might be needing it!Ĭhoosing your Drawing Materials, Pens and Paper It’s set in quite a linear format, which I like. It then builds up to more complex perspective methodologies. How to Draw by Scott Robertson starts the reader off with a quick lesson on the basics of perspective. It is published by the always fantastic Design Studio Press.
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The paper quality is amazing and the pages are designed extremely well (the graphic designer on this one is Cecilia Zo). This book is 208 pages of beautifully drawn and well written lessons on how to draw objects and environments from your imagination. And my goodness they are indeed insightful. Personally, I bought it initially because of pretty pictures… but then I noticed those tiny things surrounding the images. This book is ridiculously well written and illustrated. I’ll give you an overview of what is taught and what I found to be helpful. There are ten chapters in total, and I’ll be taking you through each of them.